About us
Floral design with its own identity
At ANHUÁ Flowers, we understand floral design as a meeting point between nature, technique, and emotion. Our methodology stems from international training and combines different languages of contemporary floristry: color, composition, movement, structures, garden style, and floral architecture.
We don't follow a single school or reproduce formulas. We apply knowledge and technique to find a unique expression for each project, each space, and each story.
A floral look built between technique, art, and nature
My journey as a floral designer stems from a profound fascination with nature and a desire to understand flowers beyond their beauty.
My training has been shaped alongside some of the leading figures in contemporary international floristry, exposing me to different schools, cultures, and ways of interpreting floral design.
Bouquets, color theory, structures, floral architecture, large installations, spatial composition, and Asian garden style are all part of an ongoing learning process. Each master has left a different mark.
Not to reproduce their style, but to understand the technique, learn its rules, and transform that knowledge into my own language.
From many schools. From great masters. A unique identity.
Training & Teachers
The origin · Turcan Style
My professional training as a floral designer began with Dmitry Turcan, one of the most recognizable figures in contemporary floristry.
At Turcan School, Milan, I acquired the professional foundations of floral technique and later continued my training in different specialized workshops on Turcan Bouquet Technique and floral design for events.
His way of working with bouquets, volume, proportions, and color combinations profoundly marked the beginning of my own floral journey.
Key Achievements:
- Grand Prix · Best in Show & Gold Medal — Singapore Garden Festival 2018
- Gold Medal & Best Installation — RHS Chelsea Flower Show 2022
My learning:
Bouquet · Volume · Color · Proportion · Contemporary technique
When flowers fill the space
With Róbert Bartolen, I discovered another dimension of floral design: the relationship between flower, art, architecture and space.
During two intensive workshops, I delved into different bouquet styles, floral structures, and especially the creation and transformation of spaces for events.
His work taught me to look beyond an individual composition and to understand floral design as a holistic experience.
Notable achievements:
- International Floral Designer of the Year — 1st Place, 2019
- International Floral Designer of the Year — 3rd Place, 2018
- Most Creative Author of the Year — 2018
- Head Florist during Pope Francis's visit to Slovakia — 2021
My learning:
Space · Scale · Installations · Structure · Concept · Nature
The Language of Color
My training with Per Benjamin brought me particularly close to the extraordinary universe of color applied to floral design.
A world champion in floristry and one of the great international figures in the profession, his work demonstrates how color, proportion, and contrast can completely change the emotion a composition conveys.
Learning directly from him meant delving not only into technique but into a new way of observing and building chromatic relationships.
Key Achievements:
- Fleurop Interflora World Cup — World Champion, 2002
- Swedish Championship — Gold Medal, 1997
- Scandinavian Championship — Gold Medal
- Floral Designer of the Year, Sweden — 2003
- Floral designer for the Nobel Prize Banquet on numerous occasions
What I Learned:
Color · Harmony · Contrast · Balance · Emotion
Art, nature and experimentation
With Iza Tkaczyk, Master Florist and Polish floral artist, I incorporated a perspective closely related to art, nature, and experimentation.
Her language explores forms, textures, materials, and contrasts, always seeking a balance between technique and artistic expression.
A training that broadened my way of interpreting a composition and discovering unexpected possibilities within the botanical material itself.
Distinguished accolades:
- Polish Florists Champion — 2016
- Barcelona World Flower Cup — 1st Place, 2016
- Fusion Flowers International Designer of the Year — 3rd Place, 2016
- International Flower Contest Huis Ten Bosch, Japan — Silver Prize, 2017
- Fusion Flowers International Designer of the Year — 1st Place, 2018
- Founder of IZA TKACZYK School of Art
My learning:
Art · Form · Texture · Contrast · Material · Experimentation
Jardín contemporáneo de estilo asiático
Training with Florista Tashi brought a very different sensibility to my work: that of contemporary Asian garden style.
Her unique way of interpreting nature works with movement, asymmetry, different heights, and an apparent spontaneity which, in reality, is the result of very precise construction.
Here, emptiness is also part of the composition. Every stem, every direction, and every distance contributes to the balance of the piece.
What I learned:
Garden Style · Asymmetry · Movement · Natural lines · Negative space · Lightness
The Architecture of Flowers
My training continues with Gregor Lersch, one of the great international masters of floral techniques and structures.
His universe allows one to understand a composition from within: how it is built, how it is supported, how its lines interact, and how structure, proportion, tension, and balance can completely transform a creation.
His knowledge represents for me a new stage of learning and a deepening in floral architecture and structural techniques.
My learning:
Structure · Floral Architecture · Construction · Line · Proportion · Balance
International experience
My training as a floral designer has always been accompanied by a need: to bring knowledge to real projects. Throughout my career, I have participated in projects, installations, and international floral encounters, working alongside professionals from different countries and schools.
Each experience has presented a new challenge: interpreting a concept, working as part of a team, adapting to different spaces and scales, and, at the same time, continuing to develop my own language as a floral designer.
ZIELINSKI & ROZEN · MADRID
Christmas International Project
Creative Direction · Dmitry Turcan
My first experience within an international floral project came under the direction of Dmitry Turcan, as part of a team of florists from different countries to develop the Christmas concept for Zielinski & Rozen.
Within the project, I was responsible for bringing the creative proposal to two of the brand's spaces in Madrid, carrying out their decoration and installation. It was the first major encounter between my training and the reality of an international project: working under artistic direction, interpreting a brand identity, and translating a floral concept into a commercial space.
RETAIL DESIGN · CHRISTMAS · INSTALLATION · INTERNATIONAL TEAM · MADRID
FÉERIE FLORALE · BELGIUM
International Floral Art Event
Ukraine Delegation
My international journey continued in Féerie Florale, Belgium, where I participated as part of the Ukrainian delegation of florists, alongside Iryna Bielobrova and Olena Driuchan.
The event brought together florists, artists, and masters from different countries and schools. We worked in various teams and areas, developing floral installations within an environment of international creative exchange. It was an exceptional opportunity to learn firsthand about other languages, techniques, and ways of interpreting floral design.
TOP 10 · FINALIST
In parallel with my participation in the collective project, I presented an individual floral headpiece creation in the competition held during Féerie Florale.
Among approximately 80 participants, my work was selected among the top 10 finalists. A particularly significant experience because, in addition to the international teamwork, I was able to present and defend my own creative language.
FLORAL ART · FLORAL HEADPIECE · TOP 10 FINALIST · INSTALLATION · INTERNATIONAL TEAM · BELGIUM
LUXURY BRIDAL HOUSE · MADRID
Signature floral project, November 2025
In November 2025, I participated in Luxury Bridal House Madrid, sharing space with prominent professionals in the world of weddings, ceremonies, and large-scale events.
For this event, I developed my own floral proposal, inspired by the dialogue between Eastern traditions and a contemporary interpretation of European luxury.
Flowers, materials, culture, and design came together to create a space with a very personal identity. This project represents a particularly important stage in my career: moving from learning and international experience to publicly showcasing my own vision as a floral designer.
AUTHOR FLORAL DESIGN · WEDDINGS · EVENTS · CULTURAL HERITAGE · EUROPEAN LUXURY · MADRID
Every international project has taught me something different.
Working under the direction of great masters has taught me discipline, technique, and interpretive ability. Working alongside florists from different countries has taught me the value of exchange, collaboration, and various floral cultures. And developing my own projects allows me to transform all that knowledge into an increasingly personal expression.